11/7/2023 0 Comments Amelie film scoreLa Valse d'Amelie (orchestral version) features orchestration just as indiosyncratic as Tiersen's other arrangements. Pas si Simple is taken from "Rue des Cascades", featuring a clicking typewriter sound which brings in music from a distance with mandolins leading the way. Note that Le Moulin isn't "Rouge" but a hestitant tune, more reflective in character and tinged with sadness, on solo accordian then piano. This is the first of two oldies on the soundtrack and serves to emphasise the timeless quality of the movie, as though set several decades ago despite containing modern cars and gadgets like mobile phones.Ī Quai is a track with plenty of movement, also taken from "L'Absente" album. Guilty is a romantic old song from 1931, sung in English and complete with original "old-record" sound and minor scratches. L'autre Valse d'Amelie is a laid-back bittersweet accordian waltz with celeste-like chimes. La Noyee from "Le Phare" starts with accordians and barely perceptible percussion, then strings enter when it turns into 3/4 time getting gradually more intense. Comptine d'un autre ete: l'Apres Midi played on piano has simple accompaniment patterns in typical moody minimalist style. We are then introduced for the first time to La Valse d'Amelie with its typical Mediterranean instrumentation. The sleeve notes mention that a vocal version of this is available on Tiersen's latest album "L'Absente". Les Jours Tristes is listed as "instrumental", this designation implying that the track was recorded live by an ensemble rather than tracks played and layered by Tiersen himself. J'y suis jamais alle is taken from the album "Rue des Cascades" and introduces French accordians from the outset. As with Amelie's theme, waltzes also feature throughout the soundtrack and give a merry-go-round impression, as though the characters are experiencing the whirlwind of life. This instrument features prominently throughout the soundtrack giving a distinctly French feel to the film. The first version is presented in a typical Tiersen arrangement with accordians prominent. "Amelie's Waltz" is the main character's theme, provided in 3 different versions and central to the movie. It sounds like a serious story, but the movie has a light touch with a lot of humour. The question is whether she is willing to face her own problems. Amelie is a likeable girl who develops an ambition to help others. Some of them are existing tracks from Tiersen's albums, and some are composed especially for the film. All tracks are by Tiersen except 7 (an oldie in English) and 14 (an oldie in French). The casting and direction are suberb and the music is an essential ingredient in the mix. This particular movie has lots of character and lots of heart. You can easily imagine Tiersen's music accompanying other films and we hope that other directors are looking in his direction at the moment. Jeunet discovered the composer Tiersen when a friend was playing one of his albums in the car. Tiersen's music is not immediately recognisable as conventional film music but it is great in the context of this film, known as "Le Fabuleux Destin D'Amelie Poulain" in the Original French, or simply Amelie in the English speaking world where it is presented with subtitles, but don't let that put you off - the movie is easily followed and the subtitles don't detract from its charm at all. If anything is going to get Yann Tiersen wider attention then it is this soundtrack to the film by Jean-Pierre Jeunet, and he deserves every bit of it.
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